It's going to take a while folks, but I'm determined to sift my way through the A-Z of Albums that have touched me or moved me in such a way that they deserve mention. There will be stuff in here from the 50's through to the present day since my musical tastes know no boundaries. Any fascism I once had regarding music has gone and left me. I hope that if you have time to spare in your busy lives to read this blog, you may one day be inspired to pick these records up and, like myself, become enlightened by the power of music.
Showing posts with label Humour. Show all posts
Showing posts with label Humour. Show all posts

Tuesday, 23 February 2010

Ricky Gervais





To tell you the truth, I'm not a fan of what Ricky Gervais has become. Mixing it in Hollywood with his A-list mates, swanning around in big blockbuster movies with the cream of the crop, throwing his lavish lifestyle and massive wads of cash in our faces. That's not what all this was all about, now is it Ricky? In fact, Gervais has become a complete parody of himself. David Brent was the most hysterical character of all-time because he thought he was big time. Gervais took the piss out of celebrity culture by devising a character that was obsessed with thrusting himself into the limelight, grabbing any opportunity for (what amounts to in The Office) a pitiful fifteen minutes of fame. Now, in the face of his own creation, Gervais himself has become the character he so brilliantly depicted. A self-centered, greedy, fame-hugging muppet. Unfortunately, however, this still doesn't stop him being, in my opinion, the funniest man alive today. Shit.



Me and my mate The Gingerbread Man, who I worked with for several years and and one point house-shared with, became obsessed with The Office shortly after its release here in Britain back in 2001 . At first nobody knew if it was a genuine documentary or a sitcom since, in the age of reality TV, anything is possible. When we realised that it was in fact a sitcom, or what has become known as a 'mockumentary', and could then enjoy David Brent for the complete knobhead he was supposed to be, me and Ginger found it utterly hilarious and engrossing. A genius conception by Gervais and his writing partner Stephen Merchant, in which the daily grind of office life is juxtaposed against the strained relationships that so often happen within these places of work. The statistics for office affairs are frightening in this country: 70% of people who work in an office will at some point in their careers become romantically involved with A.N Other. The sexual tension between Dawn (played by Lucy Davis) and Tim (Martin Freeman), which culminates in a rather emotional and heart-rendering final episode at the death of the second series, plays on this human floor brilliantly. Gareth (Mackenzie Crook) is your stereotypical office wanker; full of himself, a liar, a jobsworth, and all round unlikeable guy, he portrays the person that we have all met during one of our stints in an office. Keith (Ewen Macintosh) is the middle aged, over weight loner and nerd, Chris Finch (Ralph Ineson) the womanising, foul-mouthed tosser, Jennifer Taylor-Clarke (Stirling Gallacher) the brilliantly executed, classy area manager, Neil Godwin (Patrick Baladi) the suave Brent-nemesis, and Lee (Joel Beckett) the rough and ready, jealous boyfriend of Dawn. In short, Gervais and Merchant covered all the bases. Their pool of characters in The Office is incredibly accurate and fantastically executed by all concerned.




It is not so much what happens in The Office that creates such an appeal. It is more what doesn't happen that is so fascinating. Brent's cunning glimpses towards the camera; his constant attempt to look cool in the face of filming; Tim's constant despair; Dawn's dizziness; Gareth's pathetic disposition. It is meticulously crafted into, in my opinion, the greatest and most hilarious, and often believable show ever made. It left me, and I'm sure millions of others, thinking my God, I bet there really are David Brents out there, and I bet all this really does happen. . . . .




The highlights? The Red Nose Day dance, for sure. Brent's insistence on getting the guitar out. The Office Party celebrating 'no redundancies'. Brent's 'motivational' speech. Gareth's investigations surrounding the pornographic image with Brent's head super-imposed. Jennifer's countless, cringe worthy meetings with Brent. Keith's 'minge' comment before devouring a giant scotch egg. Bones (I refuse to elaborate - you just have to see it). Brent's eventual redundancy. Brent's blind date and guest club appearance. The return of Dawn for the Christmas party, and her subsequent move for Tim. The whole two series are absolutely genius, and I complement Gervais and Merchant for their insistence on ending it there. That decision has preserved a legend, and stopped them pulling it down by flogging a dead horse. The fact that Gervais has taken it over to America and contradicted everything the British series stands for only bolsters my initial charge at the start of this article. It is not an American concept, for Christ sake! Never mind, Ricky, you just keep that cash tumbling in.






So, what came next? Well, the two funniest stand-up comedy performances I have ever seen, that's what. Animals (2003) and Politics (2004), two outrageously bright, observational performances that are, quite frankly, deliriously funny. He takes on a variety of controversial subjects including, at the start of Animals, the creation of man - one of the most amusing sketches ever on the stand up circuit in my opinion. Both performances are controversial, thought-provoking, laugh-out-loud-funny, cringe worthy, and constantly entertaining. Gervias brings a piece of Brent to the stage to deliver his witticisms, which is, to be honest, a clincher for me. Both tours were huge sell-outs, gained massive critical success, and will live long in the memory as ideal follow-ups for The Office. So, what next?




Extras (2005) was the second mockumentary style double series to emerge by the Gervias/Merchant writing team. I was initially convinced that it had to be a flop. I was so obsessed with how good The Office and Gervais's stand-ups had been, I was sure that they must at some point run out of steam. I was wrong. Extras, in a slightly subtler way, is every inch as funny as The Office. It was a brave move using so many celebrities (or, on the other hand, a vehicle for Gervais to display his new-found importance within the industry), but I've got to say, a stunning success. Taking on the role of a ailing 'actor' Andy Millman, Gervias plays a watered-down, but every inch as effective role as Brent throughout the tremendous double series. I wont name the A-listers that feature, since Ricky's ego is, I'm sure, already through the roof - but what I will do is complement all of them, firstly for their sense of humour and integrity to feature, and secondly for their hilariously self-effacing deliveries.
So, the highlights here? Well, Millman's bizarre relationship with the ditzy but hugely loveable Maggy Jacobs (Ashley Jenson), who throughout the two series cannot help but put her foot in it. Look out for the head in the soup. David Bowie's genius cameo with the 'Pug Man' song. Maggy's hysterical 'Chinese, Japanese, dirty knees, what are these' clanger. The racist test. Yet again, Maggy with the golliwog, and Maggy with the shits. Darren (Steve Merchant, and Millman's hopeless agent) and Shaun Williamson (Barry from Eastenders who plays himself) wanking over a pen. Les Dennis' outrageous episode. Millman playing a genie in Aladdin. Keith Chegwin's foul mouth. Bunny, the camp theatre director. I could go on and on forever - it's just bloody brilliant!
Since then Ricky has embarked on two more sell-out stand-up successes - Fame (2007), that myself and The Gingerbread Man went to watch live from the third tier of Blackpool's Opera House, and Science (2009), which I couldn't get a ticket for for love nor money. He also has a podcast with Merchant and the now notorious Karl Pilkington, which has also proved frighteningly successful - everything the man touches turns to gold.
So, it seems like that's it: Ricky Gervais is the funniest man in the world. However, the man is a sell-out. All this fucking Letterman shit, Hollywood movies, hosting the Golden Globes, getting his own American Chat Show. Fuck off Ricky. Stick to what you're good at - making us all laugh. Even Brent would be grimacing if he saw you now. . . . .

Thursday, 18 February 2010

Age


I went to meet a mate of mine on Sunday afternoon for a pint in Wetherspoons. As usual, I was running late, and he was half way through a pint of Carlsberg. "I got I.D'd for this," he told me in disgust as I approached the bar for one of my own. I suppose a small part of me thought this was my chance - after all these years this could finally be the time for someone to ask me if I was old enough to drink. I approached the bar, caught the eye of some 18-year old stunner, ordered my pint of Wobbly Bob then stood in wait. Needless to say, she gave me the pint, took the money, then fucked off up the other end of to serve another of the town's helpless drunks. "No good," I told my mate Brass, and threw a quid into the quiz machine. I knew then that I'd have to get used to the fact that my youth was pretty much over. And no, I didn't win anything.

"When people tell you how young you are looking, they are actually implying how old you actually are." (Cary Grant - Actor)

Now, age is a funny thing. I have friends of all ages - one in particular in his seventies whose company I adore, and the notion of age is, with him, always a great ice-breaker. "How are you doing," I'll ask him. "Well, I checked the obituaries in The Times this morning and I wasn't in there, so I guess I'm doing good." It is the likes of my mate Dave who makes me feel ashamed for complaining that I am getting on a bit at the ripe young age of twenty-seven. He makes a mockery of my grumbles. Though don't get me wrong, it's not all bad. I overheard a conversation on the bus the other day between two frustrated looking women in their late thirties in which one claimed that 'boys don't become real men until they turn twenty-seven.' I bounced off that bus looking down on any bloke I even suspected to be younger than me, feeling an exhalted sense of masculine pride. That, of course, until I saw countless numbers of spotty, skinny guys in their late teens and early twenties with gorgeous girls hanging off their arms. I figured it would nicer to be a boy with such luxuries than a man without.

Age, I guess, can be intimidating. I hate the fact that I can now say I left school over ten years ago. I still want to be that really young, scruffy, care-free adolescent scuffing my new shoes and kissing girls in the park; not a fully grown, scruffy, care-free adult scuffing my new shoes and not kissing girls in the park. I hate to think that my college days are a decade old. My mind is still there! And it genuinely is true when you are that age: you have no idea what you have got until it is gone. For some strange and unexplainable reason it is human nature for the young to crave to be older, and the older to crave to be young - except it is only the young that can win, since they will be older in time. Unfortunately, no amount of botox, liposuction or pretending can help anybody regain their youth.
I must admit that it is more the physical changes that have begun to alarm me. I used to hate being really skinny as a kid. I always wanted to have a bit more meat on me - maybe a bit more muscle. I used to get tired of the old 'more meat on a butcher's pencil' kind of crap. Of course, I was always very tall, and always a very athletic build, so I didn't look unusal with my skinniness. It's just that I always longed to grow some biceps to flash through my Beatles t-shirts, or some pecs to bust through my school shirts. Now, having rocketed from 11 and a half stone to 15 stone in the last year, I crave the days back when, if I turned sideways and stuck my tongue out I'd look like a zip. When I get into the shower now I do look like a more wholesome man. I can wobble the flesh around my chest. The problem is that I can wobble most bits these days. I have to be tactical now about what I wear; for example, there are certain shirts that used to double up as tents that I simply cannot put on before my socks, otherwise I can't physically stretch the material enough to get down there. Also, all of my 32 inch waist trousers have been made practically redundant, unless I'm feeling brave enough to breathe in for a full day. My t-shirts are more like vests, and for the first time in my life I seem to have aquired an alien second chin. "Oh, you're looking fullsome." "You look a lot healthier these days." "Gosh, haven't you filled out!" I feel like saying for fuck's sake, just call me a fat twat and be done with it.
Of course, I am exaggerating as usual. I don't look fat at all - though I guess being six feet three helps spread the wealth so that it's not so easy to identify. It's just that my body has changed dramatically, and I am the paranoid one that continues to notice. And then there's the face. Now, I have always had an older looking complexion, which is the most self-esteem preserving description that I can think of at this moment in time. I have, as you might have guessed from the opening, never been asked for I.D despite drinking round pubs, clubs and bars since the age of sixteen. My nose - probably my main feature - has, I believe, had much to do with that. Whilst riding home drunk with some friends in Australia several years back I was, shall we say, 'teased' regarding my rather large conk. I responded by telling them to fuck off, and explaining that I was proud of my nose - after all, I pointed out, it is Roman. At that point the taxi driver, who hadn't said a word throughout the entire journey, looked at me and said, in a typically irritating Aussie accent, "Yeah, mate, Roman all over your face."
Anyway, I've lost track. I loved it back then - being able to get away with looking older, that is. Now I can see the cons as well as the pros. Long hair doesn't help a young look, though that will be sacrificed for nothing. Sparrows feet, wrinkles and jowels are another story. I reckon it is around my age now - as we reach the late twenties - that all of these things start to ingrain themselves into our appearance. And fitness! My God, this is where it really does become shameful. Of course, the older you get, the more negative deposits (ok, I'll stop being so scientific - what I actually mean is kebabs, ale, pizzas etc) you collect. Plus, to free myself of TOTAL blame, I did snap my cruciate ligament playing cricket, closely followed by my ankle playing football - hence, both careers over. I play golf now, but the only time my heart races is when I have a par put, which to be honest isn't really that often. Therefore I am a shadow of the nervous little whippet I used to be. In fact, a rather larger, more rotund shadow at that. You see, if I wanted to be cynical I could, you know: i.e, exercise daily, eat wisely, die anyway. But that would just be sour grapes I suppose. . . . . . .
Anyway. The point of this little rant? I don't really know if I'm honest. Maybe I needed to get it off my chest, excuse the pun. Maybe it is a deep-rooted pyschological fear of mine to become fat. Or maybe, in an hour's time, I'll be embroiled in a drinking session that could very well go on all night long and include several saturated fat filled take-aways, and I just want to make myself feel better. The old 'let's go for a fag whilst we talk about quitting' mentality.
Yep. Unfortunately, I'm going to have to go with the latter.